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Beautiful necklace based on an original magnifying glass designed around 1896-1908 by pioneering Russian artist and jeweler Peter Carl Fabergé (1846-1920). Fabergé's workshops crafted a wide variety of objets d'art, including fine jewelry, clocks, enamel snuffboxes, boxes and frames. His elite clientele included the last two tsars of the Romanov family, for whom he crafted the most elaborate pieces and famous Easter eggs decorated with precious gems.   24K gold plating Glazing by hand Swarovski® crystals Magnifier 2x lobster clasp Magnifier: 6.35 x 4 cm. Chain: length 76 cm. Made in the USA with materials from around the world.

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An iridescent mother-of-pearl necklace inspired by a goblet crafted around 1593/94-1602 by the skilled goldsmith GeorgRühl (German, d. 1625), who was renowned for his artful combination of exotic materials with gilded silver. The bowl in the collection of The Metropolitan Museum of Art, New York (The MET) that inspired the filtin jewelry set is decorated with bands of mother-of-pearl, likely derived from an object made in Gujarat, India.   18K gold plating Ivory lobster clasp Padatif: 9.5 x 0.6 cm. Chain: 40.6cm with 5.08cm extension. Clean with a damp cloth and dry with a soft, clean cloth.

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Add a baroque touch to your neck with the elegant VenusPearl pearl necklace. With a white glass pearl and 18K gold-plated bronze, it is a distinctive piece of jewelry that beautifies both casual and formal wear. It's a piece you'll wear for years, fit for a goddess.   The Metropolitan Museum of Art, New York's (The MET) 'Venus Pearl' collection is inspired by the ornaments worn by the Roman goddess of love in Peter Paul Rubens' (Flemish 1577-1640) famous painting Venus before the Mirror.   In the painting, Aphrodite wears only a bracelet and a pair of dangling pearl teardrop earrings. One earring is white and the other, reflected in the mirror, appears black.   In collaboration with the Princely Collections of Liechtenstein.   18K gold plated...

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From the 16th century, the expansion of global trade routes made pearls an affordable luxury for many. The elite adorned themselves with abundant pearls that were symbols of prestige, high aesthetics and wealth. Most sought after were irregular baroque pearls.   Elegant baroque earrings recall the lustrous pearl jewelry depicted in European paintings from the collection of The Metropolitan Museum of Art, New York (The MET), such as Portrait of a Woman (circa 1670s) by GiovanniBattistaGaulli (IlBaciccio) (Italian, 1639- 1709), RembrandtvanRijn's (Dutch, 1606-1669) Portrait of a Young Woman with a Fan (1633) and MassimoStanzione's (Italian, 1585-1656) Judith with the Head of Holofernes (c. 1640).   18K gold plating with zirconia inlay Cultured freshwater pearls...

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Lovely earrings from the British Museum based on a pair of beautiful gold earrings from the Diocese of Cyprus. They are adorned with cultured freshwater pearls and gold-plated with 925° silver.   The original earrings are decorated with a glass stamp depicting a helmeted head. Luxury jewelry became more common during the Imperial period (after 27 BC). Goldsmiths combined Etruscan and Hellenistic styles and techniques with new Roman decorative themes.   In collaboration with the British Museum in London.   24K gold plating Cultured freshwater pearls For pierced ears, with gold hooks 2.54 x 1.27 cm. Made in the USA with materials from around the world.

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Elegant necklace with crescent motif borrowed from an elaborate gold and glass ornament (11th century) possibly from Syria. The original is adorned with a smaller crescent, spiral elements and a pair of facing birds – popular in jewelery from the time of the Fatimid dynasty (909-1171) – one of which even retains its luxurious blue cloisonné enamel. In the Byzantine world it was a luxury item possibly exported to Syria and Egypt. The contemporary design reinterprets the ornate object in the collections of The Metropolitan Museum of Art, New York (The MET) by replacing the blue glass with exuberant lapis lazuli.   The jewelry stones are natural and their color may vary.       18K gold plating Lapis, its color may vary....

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Timelessly beautiful pair of earrings with lapis stones. They are exemplified by a magnificent pair of gold pendant earrings (4th century BC), in the form of a ring-enclosed amphora, from the collection of the Metropolitan Museum of Art, New York (TheMET). In the area of Italy known today as Tuscany, the Etruscan civilization flourished between the 7th and 4th centuries BC. The wealthy Etruscans, cosmopolitans and lovers of luxury, crafted some of the most beautiful gold, silver and copper jewelry of the ancient world.   The jewelry stones are natural and their color may vary.   14K gold plating Lapis, its color may vary. For pierced ears, with surgical steel clasp 2.5 x 1 cm. Clean with a damp cloth and dry with a soft, clean cloth.

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Crescent and lapis dangle earrings inspired by an elaborate gold and glass ornament (11th century) possibly from Syria. The original is adorned with a smaller crescent, spiral elements and a pair of facing birds – popular in jewelery from the time of the Fatimid dynasty (909-1171) – one of which even retains its luxurious blue cloisonné enamel. In the Byzantine world it was a luxury item possibly exported to Syria and Egypt. The contemporary design reinterprets the ornate object in the collections of The Metropolitan Museum of Art, New York (The MET) by replacing the blue glass with exuberant lapis lazuli.   The jewelry stones are natural and their color may vary.   · 18K gold plating   · Lapis, its color may vary....

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Timeless beauty necklace with lapis stones. Its model is a magnificent pair of gold amphora-shaped pendant earrings (4th century BC) enclosed by a ring, from the collection of the Metropolitan Museum of Art, New York (TheMET). In the area of Italy known today as Tuscany, the Etruscan civilization flourished between the 7th and 4th centuries BC. The wealthy Etruscans, cosmopolitans and lovers of luxury, crafted some of the most beautiful gold, silver and copper jewelry of the ancient world.   The jewelry stones are natural and their color may vary.   14K gold plating Lapis, its color may vary. lobster clasp Padtif: 2 x 1.5 cm. Chain: 40.6cm with 5.7cm extension Clean with a damp cloth and dry with a soft, clean cloth.

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Timeless beauty necklace with lapis stones. Its model is a magnificent pair of gold amphora-shaped pendant earrings (4th century BC) enclosed by a ring, from the collection of the Metropolitan Museum of Art, New York (TheMET). In the area of Italy known today as Tuscany, the Etruscan civilization flourished between the 7th and 4th centuries BC. The wealthy Etruscans, cosmopolitans and lovers of luxury, crafted some of the most beautiful gold, silver and copper jewelry of the ancient world.   The jewelry stones are natural and their color may vary.   14K gold plating Lapis, its color may vary. T-clasp 40.6cm with 6.35 cm extension Clean with a damp cloth and dry with a soft, clean cloth.

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Impressive necklace modeled after an imaginative design by RomaindeTirtoff (French, born Russia, 1892-1990), better known as Erté (French, born Russia, 1892-1990).   Erté had a multifaceted career as a designer of spectacular costumes and sets. He was also known for the covers in Harper'sBazaar magazine, published between 1915 and 1936. The Metropolitan Museum of Art in New York (TheMET) houses an important collection of original gouaches by Erté.

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Impressive earrings modeled after an earring design by RomaindeTirtoff (French, born in Russia, 1892-1990), better known as Erté. His surviving sketch depicts a crescent decorated with Greek meanders and adorned with a cabochon in the center.   Erté had a multifaceted career as a designer of spectacular costumes and sets. He was also known for the covers in Harper'sBazaar magazine, published between 1915 and 1936. The Metropolitan Museum of Art, New York (TheMET) houses an important collection of original gouaches by Erté.   18K gold plating For pierced ears, with sterling silver clasp 2.54cm x 2.8cm Clean with a damp cloth and dry with a soft, clean cloth. Made in the USA with materials from around the world

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Elegant ArtDeco earrings named after the French ballerina ZiziJeanmaire dedicated to the work of Romainde Tirtoff (French, born in Russia, 1892-1990), better known as Erté. Designed as a perforated fan in two tones, they are gilded with 18K satin gold and polished and adorned with Swarovski® crystals.   The artist carved out a multifaceted career as a costume designer and set designer - he is best known for the phantasmagoric covers he created for Harper'sBazaar magazine from 1915-1936. The Metropolitan Museum of Art, New York (TheMET) houses an important collection of Erté's original gouaches.   18K gold plating Periodization Swarovski® crystals Satin finish For pierced ears, , with sterling silver clasp 5.08 x 1.9 cm....

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Διαχρονικής ομορφιάς βραχιόλι με λίθους λάπις. Πρότυπό του είναι ένα υπέροχο ζευγάρι κρεμαστά χρυσά σκουλαρίκια (4ος αιώνας π.Χ.) σε σχήμα αμφορέα ο οποίος...

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Art Deco statement necklace with the name of the French ballerina ZiziJeanmaire dedicated to the work of Romainde Tirtoff (French, born in Russia, 1892-1990), better known as Erté. In two tones, the jewel is plated with 18K satin gold and polished. It is decorated with more than 100 Swarovski® crystals.   Erté had a multi-faceted career as a costume designer and set designer and is best known for the flamboyant covers he created for Harper'sBazaar magazine from 1915-1936. The Metropolitan Museum of Art, New York (TheMET) houses an important collection of Erté's original gouaches.   18K gold plating Periodization Swarovski® crystals Satin finish lobster clasp 40.6 cm with an extension of 5.08 cm. Clean with a damp...

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Van Gogh Art Socks Sunflowers   

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Size 6: 80056456   Size 7: 80056461   Size 8: 80056462   18K gold plate, Glass, Clean with a damp cloth and dry with a soft, clean cloth   This elaborate ring is influenced by a 7th century Frankish brooch with red garnets and blue glass decorations on display at The Met.

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The inlaid glass stones that adorn this necklace reinterpret the red garnets and blue glass embellishments on a 7th-century Frankish disc brooch owned by The Metropolitan Museum of Art, New York (The MET). Pins were central to the development of Frankish fashion – between 300 and 500, women used pairs of small pins in fanciful shapes to fasten the fabrics they wrapped around their tunics. By 600, single, large and elaborately decorated disc-shaped brooches became popular functional ornaments. The brooch is considered the most characteristic element of Frankish clothing and testifies to the exceptional craftsmanship of Frankish metalworkers.       18K gold plating Glass Hook clasp Length 41.27 cm. Clean with a damp cloth and dry with a soft,...

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Timeless necklace adorned with a green malachite that reinterprets the magnificent link chain of a gold necklace crafted in Rome in the 1st century AD. The Greek and Roman art collection of the Metropolitan Museum of Art in New York (The MET) is a proverbial gold mine of glittering jewels. It crosses cultures and spans millennia, from the Neolithic period (about 4500 BC) to the 3rd century AD. The gem of the jewelry is natural. The color of the stones may differ from the one shown.       18K gold plating The color of malachite may vary. T-clasp 16.5cm long with 5.08cm extension. Clean with a damp cloth and dry with a soft, clean cloth.

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The perfect size for a freshly brewed espresso, the porcelain cup and saucer showcase the geometric style of painting called Neo-Plasticism by Piet Mondrian (Dutch, 1872–1944). Add this colorful and versatile design to your home decor for a pop of color and modern style. Based on the 1921 Composition in The Met collection, the thick black lines and primary colors are today instantly recognizable as the work of this pioneering artist. Metropolitan Museum of Art   Material: Porcelain Dishwasher and microwave Metropolitan Museum of Art

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Lily of the Valley pin, 80054129

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Tropical bird pin, 80036756

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A sumptuous brooch adorned with Swarovski® crystals and cultured freshwater pearls reinterpreting EllenMaurice's magnificent jewelry in the 1597 portrait of her by the Flemish painter Marcus Gheeraerts the Younger (1561–1635/36), owned by the Metropolitan Museum of Art of Nea York (The MET). The Welsh heiress stands confidently wearing a very stunning gown adorned with sparkling pearls – the pearl was known as the 'queen of precious stones' in the Elizabethan era.       Gheeraerts, the pre-eminent Court painter of the late Elizabethan and early Jacobean periods, was highly regarded for the masterful way in which he rendered both sumptuous fabrics and glittering jewellery.       14K gold plating Cultured freshwater...

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A sumptuous pendant brooch set with Swarovski® crystals and cultured freshwater pearls reinterpreting EllenMaurice's magnificent jewelery in the 1597 portrait of her by the Flemish painter Marcus Gheeraerts the Younger (1561–1635/36), owned by the Metropolitan Museum of Art of New York (The MET). The Welsh heiress stands confidently wearing a very stunning gown adorned with sparkling pearls – the pearl was known as the 'queen of precious stones' in the Elizabethan era.       Gheeraerts, the pre-eminent Court painter of the late Elizabethan and early Jacobean periods, was highly regarded for the masterful way in which he rendered both sumptuous fabrics and glittering jewellery.   14K gold plating Cultured freshwater pearls...

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Dazzling 12K gold plated brooch richly embellished with glass stones and freshwater pearls. It is inspired by a portrait of EllenMaurice painted in 1597 by Marcus Gheeraerts the Younger (Flemish, 1561-1635/36). Wear this bold pin and add a royal touch to your look.   Copying the portraits of Queen Elizabeth I, EllenMaurice, an heiress who claimed direct descent from the ancient Princes of Wales, is depicted in her portrait in extravagant attire. Marcus Gheeraerts was a prominent member of an artistic Anglo-Flemish family that greatly influenced early modern English painting.   12K gold plating Glass stones Cultured freshwater pearls 7.6 x 5.08 cm. Clean with a damp cloth and dry with a soft, clean cloth. The House of Tudor or Tudor dynasty was a...

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12K gold plated full length dangle earrings richly embellished with glass stones and freshwater pearls. They are inspired by a portrait of EllenMaurice painted in 1597 by Marcus Gheeraerts the Younger (Flemish, 1561-1635/36). Wear them and give a royal touch to your look.   Copying the portraits of Queen Elizabeth I, EllenMaurice, an heiress who claimed direct descent from the ancient Princes of Wales, is depicted in her portrait in extravagant attire. Marcus Gheeraerts was a prominent member of an artistic Anglo-Flemish family that greatly influenced early modern English painting.   · 12K gold plating   · Glass stones   Cultured freshwater pearls For pierced ears, with sterling silver clasp 5.5 x 3.04 cm. Clean with a...

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Royal 12K gold plated necklace richly decorated with sparkling glass stones. Ready to highlight your every look, the necklace has a 5.7cm extension for easy wear. The jewel is inspired by a portrait of EllenMaurice painted in 1597 by Marcus Gheeraerts the Younger (Flemish, 1561-1635/36).   Copying the portraits of Queen Elizabeth I, EllenMaurice, an heiress who claimed direct descent from the ancient Princes of Wales, is depicted in her portrait in extravagant attire. Marcus Gheeraerts was a prominent member of an artistic Anglo-Flemish family that greatly influenced early modern English painting.   · 12K gold plating   · Glass stones   40.6 x2.03cm with 5.7cm extension Hook fastening Clean with a damp cloth and dry with a...

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Striking hoop earrings reinterpreting a 7th century Frankish disc brooch with red garnets and blue glass decorations, owned by The Metropolitan Museum of Art, New York (The MET). Pins were central to the development of Frankish fashion – between 300 and 500, women used pairs of small pins in fanciful shapes to fasten the fabrics they wrapped around their tunics. By 600, single, large and elaborately decorated disc-shaped brooches became popular functional ornaments. The brooch is considered the most characteristic element of Frankish clothing and testifies to the exceptional craftsmanship of Frankish metalworkers.   18K gold plating Glass For pierced ears, with 18K gold-plated clasp 1.58 x 1.27 cm. Clean with a damp cloth and dry with a soft, clean cloth.

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Xmas Porcelain Plate Adoration of the Shepherds Bartolome Esteban Murillo

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Royal Tudor Teardrop Pearl Rings, 80056449

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Tudor Royal Pearl Drop Earrings, 80056442, Pearl Drop, earrings, handmade jewelry, pearls, jewelry, design, pearl, necklace, silk, jewelry, bridal jewelry,

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Κομψότατο κολιέ που επανερμηνεύει τα υπέροχα κοσμήματα που φορούσε η Ellen Maurice στο πορτρέτο που της ζωγράφισε το 1597 ο Φλαμανδός ζωγράφος Marcus Gheeraerts ο Νεότερος (1561–1635/36),...

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Sophisticated freshwater pearl necklace reinterpreting EllenMaurice's exquisite jewelry in the 1597 portrait of her by the Flemish painter Marcus Gheeraerts the Younger (1561–1635/36), owned by the Metropolitan Museum of Art, New York (The MET). The Welsh heiress stands confidently wearing a very stunning gown adorned with sparkling pearls – the pearl was known as the 'queen of precious stones' in the Elizabethan era.       Gheeraerts, the pre-eminent Court painter of the late Elizabethan and early Jacobean periods, was highly regarded for the masterful way in which he rendered both sumptuous fabrics and glittering jewellery.       14K gold plating Cultured freshwater pearls Swarovski® crystals and glass...

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Extremely striking ring reinterpreting EllenMaurice's magnificent jewelry in the 1597 portrait of her by the Flemish painter Marcus Gheeraerts the Younger (1561–1635/36), owned by the Metropolitan Museum of Art, New York (The MET). The Welsh heiress stands confidently wearing a very stunning gown adorned with sparkling pearls – the pearl was known as the 'queen of precious stones' in the Elizabethan era.       Gheeraerts, the pre-eminent Court painter of the late Elizabethan and early Jacobean periods, was highly regarded for the masterful way in which he rendered both sumptuous fabrics and glittering jewellery.       14K gold plating Cultured freshwater pearls Swarovski® crystals and glass Clean with a damp...

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The Lotus 72 is a Formula One car designed by Colin Chapman and Maurice Philippe of Lotus for the 1970 Formula One season. The 72 was a pioneering design featuring inboard brakes, side-mounted radiators in sidepods (as opposed to the nose-mounted radiators, which had been commonplace since before World War II), and aerodynamic wings producing down-force.   The overall shape of the 72 was innovative, resembling a wedge on wheels which was inspired by the earlier Lotus 56 gas turbine car. The shape made for better air penetration and higher speeds. In a back-to-back test with the Lotus 49, the 72 was 12 mph faster with the same Cosworth engine. Chapman's and Phillippe's efforts produced one of the most remarkable and successful designs in F1 history. Taking...

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Antique world map titled 'Mappemonde ou Description du Globe Terrestre'. The Robert de Vaugondy family of mapmakers was preeminent in the eighteenth century, at a time when the French were at the forefront of cartography. Gilles Robert de Vaugondy was a descendent of the family of the great 17th century French cartographer Nicolas Sanson. Sanson had initiated the so-called “French school of cartography,” which was unprecedented in its attention to precision and scientific detail, and which discarded much of the decorative embellishments of previous maps as being irrelevant. From Sanson’s time in the second half of the seventeenth century until the latter part of the eighteenth century, with the activity of the Robert de Vaugondy family, French geographical conceptions...

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The original artwork, belonging to a private collection, has been reproduced for the present edition in only 1.490 copies worldwide, offered with a wooden frame. A precious addition to a collection of 19th century Greek painters! 

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The original artwork, belonging to a private collection, has been reproduced for the present edition in only 1.490 copies worldwide, offered with a wooden frame. A precious addition to a collection of 19th century Greek painters! 

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Moonlight-in-Naples-Ivan-Aivazovsky

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Ένα όμορφο πολύχρωμο φουλάρι με έντονα έντονα χρώματα. Το φουλάρι είναι κατασκευασμένο από τεχνητό μετάξι (100% πολυεστέρας). Φοριέται ευχάριστα και πέφτει όμορφα....

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  Glasses case and microfiber Pablo Picasso - Portrait of Dora Maar, 1937 - Musée Picasso 2021 This glasses case is part of a line of products and stationery created especially for the Musée Picasso, Paris. Pablo Picasso (1881 - 1973) Portrait of Dora Maar, 1937 Oil on canvas 55,3 x 46,3 cm © Photo Rmn - GP (musée national Picasso, Paris) - Adrien Didierjean © Succession Picasso, Paris 2021 © Rmn - Grand Palais, Paris 2021   Characteristics Maintenance : Sponge wash in cold water Material of the original work : Huile sur Toile Artist : Pablo Ruiz Picasso (1881-1973) Art movements : 20th century, Cubism Material : 100% polyester Dimensions : 17 cm x 6.5 cm  

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